Kicking Out the Old School and Bringing In the New

Media Credit: courtesy of rottentomatoes.com That was then. [Click to enlarge]

Media Credit: courtesy of vanityfair.com This is now [Click to enlarge]

Published, The Bulletin, 2009

Comedy is changing. In an arena previously dominated by the Will Ferrell-Owen Wilson-Vince Vaughn-Luke Wilson powerhouse team, a new crew is taking the spotlight and doing it awkwardly. The grandiose goofballs of olde provided us with hours of entertainment, changing our vernacular to include every linguistic nuance of "Anchorman," "Old School" and "Talladega Nights," forcing us to witness more of a whitey-tighty clad Ferrell than we thought we could ever stomach, and just generally creating a ruckus.


That was old comedy - loud, raucous and vulgar as hell.

Today, though, the movie comedy world is controlled by loveable lads like Jason Segel, Paul Rudd, Seth Rogen and Michael Cera. These guys are changing up the game by providing us with incredibly accessible comedy. Where Ferrell and Co. provided us with outlandish characters we could laugh at from afar, Segel, Rudd and Rogen portray people we would like to kick it with. Girls crush on Cera, Rudd and Segel (and maybe, even thought we might not admit it, Rogen) and guys want to be them. In short, awkward is the new hot.

Movies like "I Love You, Man," "Knocked Up," "Superbad" and "Pineapple Express" offer a type of comedy in which the viewer can identify with the characters. Whether we watch Rudd in search of the perfect bromance, Cera pine for teenage love, Segel cry at his piano after a breakup, or Rogen deal with an unplanned pregnancy, we feel like we are watching our friends or even ourselves. These men make us laugh partly because they say the things we think, except they say it funnier.

Rudd and Segel's journey toward bromance in the recently released "I Love You, Man" provides ample evidence of this comedic shift. Segel appears in what has now become his typical role: a laid-back earnest guy with uncannily witty observations on daily life. When we first see the two "slappin' da bass" in Segel's mancave, we want in. The genius of these types of movies is that they revolve around simple guys doing simple stuff. There is a twinge of the old Farrell-esque comedy (cut to scene featuring Lou Ferrigno putting Segel in a sleeperhold) but the brightest moments shine when Rudd and Segel are engaged in awkward banter. Laughs are guaranteed as Rudd makes uncomfortable attempts at nicknaming, settling on the oddly hilarious "Jobin" for Segel. The two lovable dorks are charming.

This same sort of narrative also guides blockbusters like "Superbad," in which the played out teen sex comedy is revived. Cera shines as the sympathetic loser in all his films. Cera has reconstructed the heartthrob to fit today - where tube socks, a large vocabulary and earnest intentions trump washboard abs and a dickish attitude. Comedy used to be about the bad boy, now it's just about the boy next door.

This shift signals a change in the world of the comedy movie, but it may also say something about us that has little to do with film. The shift from outlandish to awkward ushers in an era of the resurgence of the nice guy. Wordsmiths unite, because in this world of new comedy, you are the kings and queens. No longer is someone's comedic value based on the decibel count of their yell, their ability to crack beer cans on their head, or anything of the sort. Today, a well-said joke has legs.

Undoubtedly, this new change is here to stay.

South By Southwest unrivaled in scope and credibility

published, Gonzaga Bulletin 2009

Media Credit: courtesy of kalamu.com The Blue Scholars, a hip-hop group with Northwest roots, who dropped beats on the front steps of Crosby last fall, also lit up the stage in the South By Southwest festival. [Click to enlarge]

Media Credit: courtesy of freeringtones365.net Above: The Cold War Kids (above), participants in South By Southwest, will visit Gonzaga in April along with Death Cab for Cutie and Ra Ra Riot. [Click to enlarge]

Last Sunday marked the end of the eight-day music festival South By Southwest (SXSW), which has become colloquially known as being the coolest music festival this side of Woodstock. While the event itself actually features music, interactive art and film, it is best known for bringing the hippest indie bands together for a week of mind-blowing live music in Austin, Texas.

Music, what SXSW has been steadily becoming known for, started on Thursday and went through Sunday with multiple venues featuring a blowout lineup of hundreds of performers. The schedule included performances from well-known artists and bands like Third Eye Blind, Rick Ross and Ben Harper. The list also included many bands merely on the cusp of their burgeoning success including: Blue Scholars (noted Northwest favorite), Natalie Portman's Shaved Head, Starfucker, Cold War Kids (who will be traveling to Gonzaga in late April with Death Cab), Peter, Bjorn and John, P.O.S. Gomez, Andrew Bird, Explosions in the Sky, and Dead Prez. The exhausting list of artists included music from a multitude of genres including rock, alternative, singer-songwriter, electronic, DJ and hip-hop.

The festival even included perennial throw-down joke band The Oak Ridge Boys as well as the ridiculously side-ponytailed female MC Lady Sovereign.

SXSW has been putting on a festival since 1987, and has grown in popularity, especially within the last five to 10 years. The festival is held every year in Austin and has become a cultural icon for superstars and hopeful bands to come together, providing attendees intimate and unparalleled access to live music performance.

In both scope and credibility, SXSW is unrivaled. Many speculate on the reasons for the festival's success, and it is largely based on three separate elements. First, SXSW offers a uniquely largely cross-section of current music, without most of the fluff that seems to pass for popular music. Second, the festival creates not just entertainment but an experience, tapping into the wealth of the blogging community. Last, SXSW is just good, old-fashioned fun.

The ability of SXSW to draw a massive variety of bands now is undoubtedly related to its growing reputation as the source for legit music. However, it was simple hard work and word-of-mouth that led to its success.

The layout of the festival is not like your typical outdoor music festivals such as Sasquatch, Bumbershoot and Coachella. SXSW features multiple venues around Austin (which now holds the record for most original music nightclubs in a concentrated area than any other city in the world, according to its Web site) and each club has a set schedule of performers for each day. Some clubs are 21 and older; others are not.

The main way in which SXSW attracts fans now is by taking advantage of the highly important, yet largely under-the-radar power of the independent music blogosphere. By utilizing the enormous power of the online music community through both a powerful blog of their own as well as imbedded outside bloggers before and during the festival, SXSW directors exhibit a fascinating literacy in the way to amass power in a changing society.

SXSW organizers know their audience to be an intensely Internet-oriented group and have mastered the way to communicate with them and legitimize the festival in Internet circles which hold sway over powerful social opinion of independent music. If the Internet is the vehicle by which powerful entities grow, it seems only fitting that the enormously powerful SXSW exhibits a textbook skill in mastering the independent music world.

The last way SXSW flexes its social muscle is simply by providing ample opportunity to listen to great music in a fun environment. Austin provides a cultural backdrop ripe for a good time. With great weather, young residents and visitors, tons of music venues and bars and a distinctly international feel within a relatively small city, Austin has it all. With the University of Texas right in the city, the vibe is young and diverse. Additionally, people from all over the world come to play and listen at SXSW. Performers and attendees hail from Oklahoma City to Tokyo and everywhere in between. SXSW and Austin are so indelibly tied that it seems pertinent to ask which came first, the proverbial chicken or the egg?

SXSW provides music lovers, music newbies, and independent spirits a perfect opportunity to see their favorite bands and even hear some new stuff. Bands descend upon the city for one week a year to rock the music scene's socks off. Tickets are pricey but one thing is for sure - everyone should make the trek to see SXSW live at least once in their lives. For more information visit www.SXSW.com.

Hey, It's Cool, You Can Bring Your Green Fedora

Helping you get prepped for the artistic part of Spokane's 'First Friday'

published, Gonzaga Bulletin 2009

Media Credit: Hanne Zak The inside of Art, Music and More has a well-lit and intimate setting conducive for photgraph and art perusing. [Click to enlarge]

Media Credit: Hanne Zak Teapot ladies, tentacled ladies, the Empyrean will feature art by Mariko Sullivan and Tiffany Patterson this Friday. [Click to enlarge]

Media Credit: Hanne Zak Jundt continues its Violence! exhibit through April 4 [Click to enlarge]

Media Credit: Hanne Zak Jim Kolva hangs a Sandy Ayars watercolor in preparation for First Friday. [Click to enlarge]

Media Credit: Hanne Zak A sampling of the pottery featured at Mark Moore and Chris Kelsey's Trackside Studios [Click to enlarge]

To some, publicly exhibited art seems to exist in a confusing, alternate world where bespectacled ladies and gentlemen go to sip chardonnay and hear themselves talk about whether splattered paint is a sign of their rotting postmodern existence or whether a milk jug with a knife in it speaks to an existential notion of uselessness … or something equally pretentious. Outside of the world of monocles and monogrammed handkerchiefs, art galleries conjure images of a stark white room with a small painted canvas hanging on the wall, its meaning elusive to the viewer, prompting them to return to their world of Pabst Blue Ribbon and reality TV, chalking the entire experience up to a befuddling fluke.

However, here in Spokane, many places are turning that stereotype on its head by offering cool, calm, unpretentious spaces to explore art of different kinds. For those who cannot recognize Klimt from Kirchner, Jasper Johns from Georgia O'Keefe or watercolor from acrylic, art galleries and studios like Art, Music and More, Kolva-Sullivan, Jundt Art Museum, and Trackside Studio invite art neophytes and experts alike to experience different mediums of visual art.

Additionally, cafes like the Empyrean and hipster hangout Baby Bar/Neato Burrito offer the chance to experience art while chowing or guzzling your way to contentment. Sometimes, puzzlingly, it appears like there is some sort of invisible force field between campus and downtown. However, a quick jaunt over the river toward downtown promises a new, fun way to view art.

Many of these cafes, galleries and studios participate in Spokane's hidden gem - First Friday. Like its homonymic relatives in other cities, is a specific time when local art exhibitors can show their work to the wider public in a fun, community-oriented event. The first Friday of every month, most of Spokane's downtown galleries (and a few in the Garland area) open their doors to eager art viewers. The event has amassed quite the following and is a certifiable must-do before your tenure at Gonzaga comes to a close.

Here's a look at some of Spokane's coolest art spaces:

Arts, Music and More

OK, so their name may not scream "awesome!" but Art, Music and More is an eclectic, loft-like space where music, painting, ceramics, jewelry design and crafts come together in a laidback environment. With exposed brick walls and a quaint, intimate live music stage in the back, AM&M exhibits art for sale, created by local artists. I first came to AM&M for a live music set (shout-out to GU student Kevin Vance for performing) and was surprised by their highly accessible artwork. Their exhibited pieces were displayed for the public in a way that was both inviting and unpretentious. Whether you go to AM&M for live music or visual arts, you will not be disappointed with the relaxed environment and the access to local artists' work. AM&M is located at 608 W. 2nd Ave.

Jundt Art

Many people on campus know the Jundt Museum as the dark building on the other side of campus that they have never been in. With its "museum" designation, Jundt is rumored to be an enigmatic place where stuffy art is exhibited - if it is even mentioned at all. While the museum's ultra-cool and locally acclaimed exhibit "Violence!" just recently closed, the senior thesis exhibit will be coming into the museum within the month. The senior thesis exhibit is a great way to experience art in a traditional museum setting while simultaneously supporting the work of our fellow students. The exact content of the exhibit remains to be seen, given the individualistic nature of the art department thesis program. However, the contents are sure to please. The Jundt Art Museum can be found between Jepson and Dussault.

The Empyrean

This chill coffeehouse has come to be known over the last two-and-a-half years for offering a quiet place to study or read if you're suffering from campus fever. However, not only do they offer delicious coffee drinks and decadent pastries, The Empyrean also features a vast array of cool paintings and ceramics created by local artists. Many times, according to the Empyrean staff, art comes from people who just like to kick it at the coffeehouse. The Empyrean also offers poetry readings, dramatic performances and live music. In fact, Gonzaga students will be putting on a play titled "American Buffalo" that runs at the venue April 23-26. The Empyrean is a great place to hang out and a perfect spot for dipping your toe into the proverbial waters of the art world. The Empyrean participates in First Friday and can be found at 154 S. Madison Street.

Kolva-Sullivan

Kolva-Sullivan is an intimate, funky gallery that features a wide variety of different art on a rotating schedule. This week, a show of watercolors by local artist Sandy Ayars moves in. Kolva-Sullivan participates in First Friday, and today will mark the opening of Ayars' first solo show in Spokane. Her beautiful and vibrant watercolors focus on beauty in nature. Her work features a notably relatable theme, as we all experience nature in our daily lives and her pieces have been described as "transforming the mundane into an artistic story."

While the studio is a working business that sells art, owner Jim Kolva describes the gallery as, at its core, "a space for artists." Sometimes the shows at Kolva-Sullivan are political, sometimes they are ecological, sometimes they are psychological - but they seem to be always relatable. The vibe when I spoke to Kolva was relaxed, yet informative, an ethos that seems to permeate the space. Kolva-Sullivan is the perfect place to go if you want to learn more about the art you are seeing in an inquisitive environment, or if you are an artist yourself looking to speak with knowledgeable staff about deeper meanings in visual art. It's a refuge from the derelict atmosphere outside of the gallery. Kolva-Sullivan is located at 115 S. Adams.

Trackside Studios

In the same building as Kolva-Sullivan, Trackside Studio is a ceramics studio and gallery featuring the works of Mark Moore and Chris Kelsey. One of the owners, Moore, is a graduate of GU. The space, with high ceilings and large open front windows, is a bright and inviting place to check out pottery and sculpture. Upon entering, it seemed like a place made for young people. Music played in the background and I asked myself, "Is this one of my Pandora stations?" and the staff was amiable, helpful and not snobbish in the least. Trackside is a good place for budding artists to go to see art being made in a relaxed, open environment.

When I walked into Trackside, it was evident that they were preparing for First Friday and falling quickly behind. "It's hard to keep a pottery shop clean," explained Chris. Unfortunately for Chris, the Thursday snowfall had drawn his partner Mike to the mountains, so he was left to fend for himself. And he had a lot of work to do. Lucky for me, some of the pottery had already been assembled and arranged, so I was able to take in a fairly august preview of what was to come. Expect arrangements of upper-echelon pottery that will soon be imitated inside of your IKEA and Pier 1 Imports catalogue. Trackside is located at 115 S. Adams.


If you're bored of the same stale house parties, the eardrum-blasting party music and the incessant beer pong - or if you're simply up for some variety - try something new. Head out to Spokane's First Friday to see some local art in inviting, warm, unpretentious galleries and enjoy the community. You will undoubtedly meet some great people, expose yourself to new art and experience a side of Spokane you may have never seen before.